Desdemona should have considered the possibilities Secondly, she lies about the handkerchief. He does not have bad intentions, but he is somewhat accountable for the tragedy. He then denounces Iago for his actions and leaves to tell the others what has happened.
He is set on the fact that Cassio is her new love interest because she has more in common with him than with the old Moor. While she found it to be an outrageous and nonexistent deed, Emilia's response should have planted a seed in her head.
He accepts insubstantial evidence as proof of something as big as his wife's infidelity. That is why it does not make sense for him to not consider the fact that Othello may have thought that a romantic relationship was developing between him and Desdemona. It is her outburst, though, to Cassio in front of Iago and, ultimately, Othello that first convinces Othello that his wife was being unfaithful to him.
Cinthio describes each gruesome blow, and, when the lady is dead, the "Ensign" and the "Moor" place her lifeless body upon her bed, smash her skull, and cause the cracked ceiling above the bed to collapse upon her, giving the impression its falling rafters caused her death. Emilia calls for help.
He allowed a handkerchief to direct his thoughts when he should have collected more evidence. Many of his negative attributes are exposed, although they are overshadowed by his admirable introduction. Roderigo, though he appears sporadically, plays a crucial part in the tragedy. His good character is verified by the respect he seems to enjoy from the people around him.
The issue at hand is whether or not their actions contribute to the tragic finish. He allows himself to give into the pressure and, ultimately, initiates the tragedy. His concern with his own dilemma creates a worse situation between Desdemona and Othello.
She bothers Othello about the issue very frequently and persists even when she could tell that her husband was getting more irritated at the subject by the second.
By getting drunk, he involves himself in the fight that causes him to lose his lieutenancy. The introduction of his character creates an ideal image of the Moor.
Othello holds an arguable degree of guilt in the tragedy. We'll occasionally send you account related and promo emails. Because of this, Cassio is partially responsible for the deaths. Could she really be that naive? Some of these cluster together in quite extensive passages. Othello is significantly older than Desdemona.
Because he is also naive, he trusts everyone too easily and assumes that no one has ill thoughts of him.
Othello trusts the word of a person who he did not even trust enough to make his lieutenant. In Elizabethan discourse, the word "black" could suggest various concepts that extended beyond the physical colour of skin, including a wide range of negative connotations.
First of all, he has a dangerous ambition. Because of this, Bianca is partly responsible for the deaths.
He seems born to do great deeds and live in legend. Whether the individual's intentions are good or bad is not the concern. Desdemona, though an obvious victim, is also responsible for her own demise and the deaths of the others.
This is true whether or not they have devious intentions. He is accountable for the tragedy for a few reasons. Othello trusts the word of a person who he did not even trust enough to make his lieutenant. She should have also realized that not only were her secret meetings with Cassio obvious, but she exacerbated the problem by constantly bringing up conversations with Othello about reinstating his former lieutenant to his old position.
Oil on canvas, ca. He was first played by a black man on the London stage in by the most important of the nineteenth-century Othellos, the African American Ira Aldridge who had been forced to leave his home country to make his career.
Because of this, Othello is partially responsible for the deaths. Though she is an honest and faithful wife, she also proves to be a foolish woman. It is obvious that only a few of them have devious intentions, but that does not alleviate the responsibility of the others.
Furthermore, he should gather more evidence of Desdemona's unfaithfulness before accusing her of being unfaithful.Degrees of Guilt in Othello Essays: OverDegrees of Guilt in Othello Essays, Degrees of Guilt in Othello Term Papers, Degrees of Guilt in Othello Research Paper, Book Reports.
ESSAYS, term and research papers available for UNLIMITED access. Background. Written inWilliam Shakespeare's Othello is a tragic play. The play is filled with themes of betrayal and loyalty, race and social standing, remorse and guilt, jealousy and pride.
Othello (The Tragedy of Othello, the Moor of Venice) is a tragedy by William Shakespeare, believed to have been written in It is based on the story Un Capitano Moro ("A Moorish Captain") by Cinthio, a disciple of Boccaccio.
Degrees of Guilt in Othello Although the degrees of their guilt greatly vary, every major character in Shakespeare's " Othello " contributes to the deadly chain of events that transpire.
There are seven major characters in the play: Othello, Iago, Cassio, Desdemona, Emilia, Roderigo, and Bianca. Video: Jealousy in Othello: Examples & Quotes. Research Schools, Degrees & Careers. Get the unbiased info you need to find the.
Although the degrees of their guilt greatly vary, every major character in Shakespeare's "Othello" contributes to the deadly chain of events that transpire. There are seven major characters in the play: Othello, Iago, Cassio, Desdemona, Emilia, Roderigo, and Bianca.Download